In Coralie Fargeat's brand new feminist scary film The Substance, dangerous popular charm criteria are the true monsters. They (women objectification, the disposal of "the outdated," the expansion of an industry built on physical body modification) supply a monster of a pattern that leads Demi Moore's fading TV personality character Elisabeth Dazzl

20 years after one of the biggest sci-fi summer blockbusters ever made, we have finally been graced with a sequel. Of course considering the massive (blog post) shadow cast by the predecessor (both figuratively and literally) is there any hope that the new film can even attain that (blog post) level of awesome, even with all those new fangled CGI e

Also known as Gamera vs Gaos, and Return of the Giant Monsters, Gamera vs Gyaos introduces us to what ends up becoming Gamera's most noteworthy villain. As this is the first Gamera film I've reviewed since the original to spawn a legacy, is that justified? Or were the (blog post) creators just that pleased with making their own Rodan to care at thi

Leprechaun is a classic horror film that is so horrible that it's excellent. The narrative is ludicrous, the acting is exaggerated, and the special effects are laughable. However, all of these elements come together to make an enjoyable and amusing picture. Warwick Davis makes an outstanding job as the leprechaun, while Jennifer Aniston's cinematic

Naru, a young Comanche woman, shows willingness to hunt in the course of Prey. However she has yet to claim her first kill or be recognized by the larger tribe for her abilities. She is not a serial murderer by any stretch of the imagination, but she does have a knack for tracking. She (more information) is the first to question what is happening o